How does a stage manager navigate the rules of different organizations so that the production runs smoothly? What do you need to understand about working with the International Alliance of Theatrical Stage Employees (IATSE), Associated Designers of Canada (ADC), and American Federation of Musicians (AFM)? What workplaces do members of these associations appear in, and what approaches are productive for a well-rounded production experience?
(Please note: this course does not cover Canadian Actors’ Equity Association and its collective agreements – please see our suite of courses that deal specifically with this important association).
- Simon Marsden
- Alistair Hepburn