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Kat Chin

Equity Stage Manager

Kat Chin is a Chinese-Jamaican Equity Stage Manager based in Toronto, Canada, and a graduate of the Ryerson Theatre School.

Select credits include: Of The Sea (Tapesty Opera + Obsidian Theatre); Three Sisters (Howland); I Am William (Stratford); Queen Goneril and King Lear, August: Osage County, Bed and Breakfast, Cowboy Versus Samurai, & 11 other productions (Soulpepper); The Snow Queen (CCOC); Grease (Irregular Ent.); Dido & Aeneas, Something Rich & Strange, Don Giovanni, Idomeneo, & 10 other productions (Opera Atelier); Orphans For The Czar (Crow’s Theatre); Tiny Tenement of Terrors (Theatre Sheridan); TOKA (TPM/lemonTree); acha bacha, CRASH (TPM).

Career highlights include: stage managing Kim’s Convenience from its humble beginnings at the Toronto Fringe Festival, across Canada on its National Tour, to off-Broadway at the Signature Theater, NYC; ASMing at the Royal Opera of the Château de Versailles Spectacles in Versailles, France.

She has worked on various projects that involve film and digital components as AD and/or Script Supervisor, most notably 21 Black Futures from Obsidian Theatre & CBC; and Myseum of Toronto’s 1851.

Kat has also worked at the National Ballet of Canada, fu-GEN, Cahoots, Why Not, The Glenn Gould School, George Brown Theatre School, TIFF and Hot Docs. She has been a member of the CAEA Stage Management Committee since 2013, and is a member of the US Stage Managers Association International Cohort. Kat has also taught Advanced Stage Management at Toronto Metropolitan University.

Upcoming: Kelly v. Kelly (Musical Stage); Orpheus & Eurydice (Opera Atelier)

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