Kat Chin is a Chinese-Jamaican, Equity Stage Manager based in Toronto, Canada, and a graduate of the Ryerson Theatre School.
Select credits include: Hansel & Gretel: A Sticky & Sweet Panto, Rez Gas, Steel Magnolias (Capitol Theatre); Alice In Wonderland (Bad Hats); Bittergirl The Musical (TIP); Kelly v. Kelly, Dixon Road (Musical Stage); I Am William (Stratford); Queen Goneril and King Lear, August: Osage County, Bed and Breakfast, Cowboy Versus Samurai, & 11 other productions (Soulpepper); Wicked Nix, The Fixing Girl (YPT); Aportia Cryptych (COC); The Magic Flute, Acis & Galatea, Orpheus & Eurydice, Dido & Aeneas, Something Rich & Strange, Don Giovanni, Idomeneo, & 10 other productions (Opera Atelier).
Career highlights include: stage managing Kim’s Convenience from its humble beginnings at the Toronto Fringe Festival, across Canada on its National Tour, to off-Broadway at the Signature Theater, NYC; ASMing at the Royal Opera of the Château de Versailles in France.
She has worked on various projects that involve film and digital components as AD and/or Script Supervisor, most notably 21 Black Futures from Obsidian Theatre & CBC.
Kat has also worked with the National Ballet of Canada, Cahoots, Art of Time Ensemble, Theatre Passe Muraille, fu-GEN, Why Not, The Glenn Gould School, George Brown Theatre School, TIFF and Hot Docs. She has been a member of the CAEA Stage Management Committee since 2013, and is a member of the US Stage Managers Association International Cohort. Kat has also taught Advanced Stage Management at Toronto Metropolitan University, and coaches at NTS.
Upcoming: Pelleas et Melisande (Opera Atelier); Anne of Green Gables: The Musical (Confederation Centre)