Kat Chin is a Chinese-Jamaican Equity Stage Manager based in Toronto, Canada, and a graduate of the Ryerson Theatre School.
Select credits include: Sweeter (Cahoots); Bittergirl The Musical (TIP); Kelly v. Kelly, Dixon Road (Musical Stage); Of The Sea (Tapesty Opera + Obsidian Theatre); Three Sisters (Howland); I Am William (Stratford); Queen Goneril and King Lear, August: Osage County, Bed and Breakfast, Cowboy Versus Samurai, & 11 other productions (Soulpepper); The Snow Queen (CCOC); Grease (Irregular Ent.); Orpheus & Eurydice, Dido & Aeneas, Something Rich & Strange, Don Giovanni, Idomeneo, & 10 other productions (Opera Atelier); Orphans For The Czar (Crow’s Theatre).
Career highlights include: stage managing Kim’s Convenience from its humble beginnings at the Toronto Fringe Festival, across Canada on its National Tour, to off-Broadway at the Signature Theater, NYC; ASMing at the Royal Opera of the Château de Versailles in France.
She has worked on various projects that involve film and digital components as AD and/or Script Supervisor, most notably 21 Black Futures from Obsidian Theatre & CBC; and Myseum of Toronto’s 1851.
Kat has also worked with the National Ballet of Canada, Bad Hats, Art of Time Ensemble, Theatre Passe Muraille, fu-GEN, Why Not, The Glenn Gould School, George Brown Theatre School, TIFF and Hot Docs. She has been a member of the CAEA Stage Management Committee since 2013, and is a member of the US Stage Managers Association International Cohort. Kat has also taught Advanced Stage Management at Toronto Metropolitan University.
Upcoming: The Fixing Girl (YPT); Aportia Cryptych (COC); Christmastown (Capitol); Acis & Galatea (Opera Atelier)